Sunday, May 12, 2013

Sprinkles of The End


Here are some snips from things I’ve been up to in my last weeks of high school. Ever (eek!!!!!!!). I don’t have an iPhone so unfortunately when I go to a cool exhibit/concert or I eat something cute/look cute, I just have to record it with my mind, or, in this case, borrow my friends’ recordings of the experience. Above are some Vines of me giggling and playing with food…apparently I am cornering a niche for this look. Shout out to the Bowery Diner for always having the best ambiance and milkshakes and shout out to Katie's roof for being the best secret garden in NYC. These ladies are so cool and hilarious and it makes me sad that they will be going far from me for college. 

Also in my final trimester of school, I am working on my senior project, which in my case is interning and also working on art that will be exhibited at school in June. This trippy grandma’s knitting circle is part of the series I am working on entitled, “Homebody” (2013)

The pattern of my prom dress.


Follow me on Twitter @emmaedition

Monday, April 15, 2013

Correspondent's Corner

So as most of you by now know, I co-run this website called The Do Not Enter Diaries devoted to telling the stories of teenagers through their bedrooms. I started the website back in January with my best friend Emily, and so far the response has been surprisingly amazing. We stoked when The New York Times covered our project the day we launched, and continue to be surprised when the likes of NYLON to Seventeen write kind things about us.  A couple weeks ago we added a new day to The Do Not Enter Diaries site, Mondays in addition to our Wednesdays, to accommodate a new column called Correspondent’s Corner we’ve started. Every Monday at 4PM will take you into a bedroom from a different teenager from across the globe—from New Zealand to Beijing.  Because it’s not economically feasible for us to travel to every teenager, through this program we are able to give more of you a chance to share your stories. Our teenage correspondents are responsible for cultivating a unique group of teenagers whom they know, filming them following our guidelines, and sending us the footage to edit as we see fit. It’s been a pleasure over the past couple months getting to virtually know both our new staff and their subjects, so we hope you enjoy this new addition to our site. Still, we’re always looking to add more of you onto our team. You can fill out the application to become a correspondent here. 

Below is a video of Georgia Rippin, our New Zealand correspondent as well as Angel H., the first subject she ever filmed for our site, which were both originally posted on donotenterdiaries.com . To learn more about Correspondent's Corner tune in Mondays @ 4PM and click here 

Correspondent's Corner: Georgia R. from The Do Not Enter Diaries on Vimeo.

Correspondent's Corner: Angel H. from The Do Not Enter Diaries on Vimeo.


ALSO! THE DO NOT ENTER DIARIES IS HIRING NYC-BASED TEEN INTERNS. 

Follow me on Twitter @emmaedition

Diner Desert


Follow me on Twitter @emmaedition

Friday, March 29, 2013

RAD TALK: An Interview With Photographer Dolly Faibyshev


"Rad Talk" is a new column running on The Emma Edition, for 2013. In this column I interview creative people who make my life all the more rad and whose work I think deserves a wider audience. I’ll be giving them a forum to speak on things they may never been asked in a typical interview. Today I am featuring the photography of Dolly Faibyshev, whose work I stumbled upon while meandering in the Chelsea Market. From the second I spotted this cactus mailbox, I knew I had to speak with her. A new interview is posted on Fridays. 

Q: Hey Dolly, can you tell my readers a bit about yourself?
A: “I got started in photography several years ago. I was always searching for a creative outlet while my career was going in the opposite direction, so I picked up a camera and taught myself how to take pictures."


Q: What or who is your ideal subject?
A: “I like weird and over-the-top. I like working in deserted places or crowds where people don’t notice me noticing them.”


Q: Your photos are great storytellers of color. What do you like about using color as a guiding medium?
A: “Thanks! I like using color because that’s the first thing I usually see when I’m taking pictures, and maybe it’s the first thing others see when they look at them. I think it can be used as a diversion from what’s actually happening too - I like creating that surprise you sometimes get from art.”


Q: Setting plays a huge part in your photographs. You often cut off the subject’s body, making them just as important as the background. Can you describe this?
A: “I’m just not interested in taking portraits. Identifiable faces make a photo feel less timeless for me. I’m more interested in environments and how people fit into them, or don’t.”


Q: Particularly in your ongoing first series, you focus a lot on Palm Springs. What fascinates you about that place in particular? Do you live there now?
A: “I’ve lived in New York for years, and I’m an east coaster but I just don’t think there’s any other place like it. It’s like stepping into the past, a time warp where many of the homes and surrounding architecture have been preserved (especially the exteriors) since the 1950s. Sometimes it feels like everything is changing around us so fast, it feels good to go to a place that hasn’t changed much at all. There’s something a little unsettling about that for me too.”


Q: How did you gain access to the homes in the photographs?
A: “For the most part I was focusing on exteriors, so access was pretty simple. The crazy thing is that quite a few people ended up inviting me in for a tour of their homes anyway, which I’m not used to in New York.”

Q: What setting do you think best encapsulates America? For me, I think it would be diners.
A: “The diner is an excellent choice. I love diners. I don’t think I can top that.”


What is your favorite American meal?
A: “Great question. I used to eat hot dogs galore as a kid, but now it’s fried chicken and apple pie.”

All images in this post courtesy of Dolly Faibyshev Photography
Q: All of your photos are extremely saturated, but there’s always an underbelly of isolationism emanating within them. Is this something you’re conscious of or try to achieve?
A: “I’m always conscious of color, but I don’t set out looking for isolationism - it just finds me I guess.”
To learn more about Dolly's work, click here
Follow me on Twitter @emmaedition
Related Posts Plugin for WordPress, Blogger...