"Rad Talk" is a new column running on The Emma Edition, for 2013. In this column I interview creative people who make my life all the more rad and whose work I think deserves a wider audience. I’ll be giving them a forum to speak on things they may never been asked in a typical interview. Today I am featuring artist, Kayla Mattes. A new interview is posted on Fridays.
"How I Spent My Summer Vacation" necklace
Q: How did you first get interested in fiber arts?
A: “As a kid I used to build homemade looms for weaving,
and my great-grandmother taught me how to hand-knit. I’ve generally always had
a natural attraction to pattern and textures but didn’t fully realize it until
I first saw the textiles studio at Rhode Island School of Design (RISD) two
weeks before the major declaration deadline. The hundreds of cones of brightly
colored yarn, and crazy contraptions throughout the studios are what basically
sold me. Working with fibers quickly became an obsession!”
Q: Materials seem to be such an important part to your work. How do
you choose the materials you want to work with?
A: “I guess I'm kind of an oddball in terms of my
attractions to yarns and fabrics because unlike a lot of textile designers I
often overlook traditionally 'high-end' materials like silks and natural
fibers. I mostly find myself obsessed with plastics and spandex and fabrics
with crazy finishes. Something about synthetics drives me wild, but I do often
love working with wools and mohairs because you can dye them (NEON) so easily,
plus they feel nice. I'm constantly material sourcing and collecting. I am in
the midst of designing my F/W jewelry collection, which is mostly constructed
with these air hoses I found at this amazing rubber store in NY. The hoses have
this really unique flexibility to them, and I have found some fun ways to pair
them with knits and metals.”
Q: Your S/S ‘13 summer camp collection is great. I have such
distinct memories of camp, when the tradition of the lanyard stitching was
passed down to me---a time when making friendship bracelets felt so
consequential to relationships. I love how much thought you gave to naming each
jewelry piece in the collection…. I can really imagine some tween girl sitting around camp with her
lanyard in each of these situations. Do you have close ties to your camp
days or is it just a vibe you’re trying to emulate?
A: “Thanks! I put a lot of thought into the names, which were
definitely sourced from memories of my own camp days. From the fires, the
bunk-beds, the mess hall, and the friendships, all of those experiences along
with my textile and material sensibilities are what helped shaped the
development of the collection.”
"Friendships 4 a lifetime'" necklace
"Trail 2 the treasure" Necklace
Q: Do you have any specific memories involving lanyard when you
were younger you can share?
A: “’I kept all of my lanyard creations tucked away in this
special hand-painted box, and I recently realized my Dad still uses a lanyard
keychain that I made for him more than 10 years ago. Apparently lanyards last
forever.”
Q: I’ve read that you have plans to expand Summer Camp
into a large textile collection. Not only am I super excited about this, but I
am already dreaming of a collection debut involving roasting marshmallows over
the campfire. What do you have in mind?
A: “Well Summer Camp is its own collection, meaning my
upcoming Fall jewelry collection will work with a totally new concept, but I'm
definitely planning to expand my line to include knitwear of a similar spirit.
I've been dabbling with programming my electronic Brother knitting machine to
hook up to my laptop so that I can knit out Photoshopped patterns. I love
working with really graphic knits, as you can see from the furbies, smileys,
and aliens featured in my Neo-90ies knitwear collection. I'm hoping to release
a collection of graphic-knit sweaters using this laptop-technique within the
next year or so!”
"Top Bunk Dreamin'" necklace
"1st Kiss By the Council Fire" necklace
Q: It’s lanyard-making only from an Internet perspective. A lot of
your work seems to derive inspiration from the Internet, right? Can you talk
about this?
A: “I'm fascinated with the parallels between the birth of the
internet, and the playful aesthetics that the internet embraced in its
beginnings. Its childhood was often plastered with brightly colored unreadable
text, gifs crawling all over the pages, and midi's screaming unnecessarily. I
like thinking about the internet as an actual person whose brain has filled
with more information and content and memories. You can still find parts of its
aesthetic beginnings intact and unchanged, ex: Craigslist, and some hidden
gems.”
Q: I love the video you made
to accompany your collection. I thought that was such a creative way to go
about featuring your work. How did the idea for the Summer Camp S/S ’13 video
come to pass?
Thanks! While designing the Summer Camp Collection I must
have listened to the song featured in the video (Jungle Beat by Harold and Bob)
at least 100 times. Eventually the necklaces started literally dancing in my
head to the beat of Jungle Beat, which is technically how the idea for the
video began. My amazing boyfriend Justin Seibert made
these ideas a reality with all of the animation featured in the video. While
location-scouting we found this actual camp tucked away in the hills of
Griffith Park right in the center of LA. The camp was abandoned at the time,
which was really serendipitous because it definitely helped add to the eerie,
yet playful and psychedelic nature of the video.
Q: Now, this is just a personal interest question. But I started a website called The Do Not Enter Diaries devoted to filming
to stories of teenagers and their bedrooms, and I would love to know what you
were like as a teenager. What was your bedroom like?
A: “Being a relatively reclusive and contemplative
teenager I spent most of my time in my room, so that space definitely meant a
lot to me. My walls were painted a super bright combination of salmon pink and
neon lime green, and every surface was covered with my treasures and nicknacks.
MySpace, homework, drawing things realistically, an AIM addiction, and my CD
collection are the things I remember.”
"Craft class BLAST" necklace
Q: I really love the philosophy of Otherwild. How did you first
get involved with them?
A: “It's been so great working with Otherwild and I am so happy to have my pieces at
their shop. I came across the store soon after it opened last summer in LA. I
then met with the founders Marisa Suarez-Orozco and Rachel Berks who
immediately expressed interest in the Summer Camp pieces. I recently teamed up
with Otherwild in a video series they produced which focuses on the studio
practice of various artists whose work is sold at Otherwild. The series gives a
perfect depiction of the shop and it's incredible philosophy!”
"Totally Teamwork" necklace
Q: Do you have any other creative projects in the works?
A: “Along with designing my F/W 2013 jewelry collection,
I’m also in the midst of putting my ASCII CATZ t-shirts into production. I’m
working with the artist Ryan McIntosh of Art is
Shit Editions for the
screen printing, the photographer Marina
Fini for the
collection shoot, and the artist/graphic designer Nicole Killian with
the lookbooks and promotional materials. It’s great to be collaborating with
amazing artists who I feel very connected to in terms of their work and ideas.
The shirts should be available by late winter/early spring in three different
color schemes which I am super excited about! A variation of the ASCII CATZ
print, along with several other prints will also be specially released in
February as tapestry wall hangings at Urban
Outfitters. I am also designing some knitted wall hangings for the
web-shop Beklina.
It’s really exciting to be working on such a wide variety of projects. I knew
when I launched my jewelry collection this past Fall that I didn’t want to
confine myself to jewelry making, but I didn’t think the transition would
happen so quickly.”
Q: Anything else you want to add?
A: “You can stay tuned with the
launch all of my upcoming projects by connecting with my Facebook Page, Twitter, and Tumblr!”
Shop Kayla Mattes' Summer Camp S/S 2013 collection and see more of her work here.
Follow me on Twitter @emmaedition









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